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"I
like my records to be banging, jackin' and a little disco to it. I am
all about the French sound, not the 80's stuff, but the straight up
disco house."
Daisey's Top 10
(July 2003)
ARTIST / TITLE / LABEL
1 mantese / latinova / nocturnal
2 mantese / porcelain (revenge dub) / nocturnal
3 bad boy bill feat. kevin irving (original) / happy / moody
4 high calibur / soul glow / olive
5 armand van helden / wasn't the only / sahara
6 mischa daniels / amsterdam sty-lee / work
7 sedat / take me ce soir / street nostal freak
8 the funk asylum / the real deal / knee deep
9 alexander koning / temper tonic (original) / bassethound
10 dj vitamin d / mambo number 5 / colorcopy
Check
out online mixes |
DJ
Vitamin D
by
Darcie Hutzell
Recommended
Daily Allowance
Derrick Daisey, aka DJ Vitamin D has every right to be proud. And he
is, following the international success of last year's smash summer
hit "That Latin Track." Now with a follow
up in the works on Loaded, and a flurry of releases available now on
Colorecordings, the record label he started in 2001, Vitamin D is now
poised to remain the king of Denver nightlife, but also to take over
worldwide. Vitamin D started DJ'ing over 10 years ago at wearhouse raves
in Los Angles, and now resides in Denver, playing at clubs like Enigma,
as well as Acapulco, Manchester, UK and Hong Kong. If you're lucky,
you might get your recommended daily allowance in your area. Late this
June, I had a chance to interview one of the scene's best and brightest
house music stars, and you might be surprised at his comments on the
music, the scene and his place in it. Enjoy!
DH: Tell me about your newest releases, which are you most proud
of and why?
DD: At the moment, I have been completely focused on this new Latin
song I finished up with Miss Audry. Loaded wanted a follow up to "That
Latin Track". It had to be as good or better than the first. It
is in the same style, fun, hands in the air, kinda a summer track. It's
set to be released this summer, and we'll see how it goes over.
DH: I understand that you do a lot of work with Sean Biddle
as the Floorfillerz, when did you start working with him?
DD: I met Sean like 6 years ago, and started working on music together
4 years ago , I think. We have been roommates for 4 years now. I think
that we both have some great ideas. Now being able to put all of them
together, we come up with songs we would not have been able to do seperately.
We tend to do tracks aimed right at the dance floor, primetime tracks.
Sean is great with all the noises and finding the samples to use. Put
that together with my lay-outs, and I think that we come up with some
good stuff sometimes.
DH: Tell me about Colorecordings, and about your position as
A&R.
DD: Colorecordings is a label I started back in 2001. Color meaning
Colorado, and Color for the first 100 of each released on colored vinyl.
Delay after delay, and it looks like it is finally off the ground. I
have 15 releases already signed and waiting to be released. It is now
actually a sublabel of Nine Records, which is run by a good friend of
mine,Nick, or Dj Nique. We have some great talent here in Denver, and
I wanted to release some of it. We have releases from the Pound Boys,
Hipp-E, Dj Sense of Casa Del Soul, Dj Nique, The Floorfillerz, and myself;
plus a bunch more artists from around the world:Christian Alverez, Patrick
Alavi, Brother Brown, Double Helix, and some projects I have done with
Miss Audry.
DH: Speaking of Miss Audry, did the worldwide success of "That
Latin Track" surprise you? Does your current wave of fame suprise
you? You've been a dj/producer for a long time, does a part of you feel
like it's about time you got some recognition?
DD:I remember making "That Latin Track". I had sent some tracks
to IHR and they weren't really feeling them, so they asked me to make
some other ones. Six hours later I finished it, I actually went to a
website and grabbed some Latin samples. I had some vocals left over
from a track I did with Miss Audry called "To the Sky". It
all seemed to work, so I sent it to some friends beforehand, and they
told me I had a hit. My mom said the same thing. I guess they were right.
It was all a surprise to me, especially how fast it happened. It got
my name all over the world. I think it crossed over to many different
Djs and different styles. Then IHR releases more remixes the following
year. I don't think they caught on to the last minute release in August.
I was disappointed about that. I really thought the Vocal Mix had a
lot more potential. Well...the next thing I know...I am doing a search
on Google, and came across the website for Loaded Records. That's how
I found out about them licensing it. This is when the track finally
saw the light of day! The picked up the original and the vocal mix.
Now my name was getting everywhere! And just yesterday I found out that
Estereo is releasing the Kiko Navarro mixes again this year. I do feel
like it's my time, I've been doing this for so long now, I hope it all
works out. I just finished the follow up to "That Latin Track"
with Miss Audry again this time, it' set to be another Latin summer
hit.
DH: You released a mix last year called "Denver Live"
It seemed to be very indicative of "the new sound of house".
What do you think of the direction that house music is going, meaning
towards the more progressive, techy sound?
DD: I am not a fan of progressive, or tech-house, and I am not sure
where house music is going at the moment. I do know that all the disco
based house has been around for a long time, and I feel like it's always
gonna be here. I was into a lot of West Coast house, but it all started
to sound the same to me. But I think people can say that about a lot
of styles. I try to do my own thing with what I play and write.
DH: Where do you look for inspiration?
DD: I will admit that I listen to music I make over and over again.
I tend to get new ideas out of it. I am always thinking on how I could
have done it better. I also get ideas from track I buy to play out.
I tend to grab ideas from many records and try to make them all into
one. I am really into simple, loopy, dirty tracks. A lot of inspiration
comes from artists that came out of Chicago, that style of house music
is what it's all about.
DH: What other kinds of music, other than dance music, do you
listen to?
DD: Not much. I grew up listening to 80's music: Depeche Mode, New Order,
Soft Cell...I used to listen to rap as well....NWA, Eazy-E, Nowadays
I listen to R&B, a little bit of hip hop(whatever my roommate exposes
me to). But mostly house music.
DH: What is your favorite song?
DD: Now that's a tough one. Not sure when it comes right down to a specific
song, but I have always loved "Music is the Key" by Foul Play
on Moving Shadow. I think that it's an all time classic drum and bass
track; some of the best vocals ever.
DH: What do you look for in records you buy?
DD:I like my records to be banging, jackin' and a little disco to it.
I am all about the French sound, not the 80's stuff, but the straight
up disco house. Chicago stuff is right up my alley too. Not too filtered
sounding, and none of the West Coast kinda stuff anymore.
DH: I heard a vicious rumor that you don't put your records
back when you listen to them at the record store. Do you put them back,
or do you just leave them at the listening station?
DD: I have ALWAYS put my records back on the shelves. Working at record
stores for over 6 years, I know what it's like to be on the other side
of the counter! However, I do get some nasty looks from others when
I have more records than what is normally allowed for customers. Actually
I have gotten some emails about it. Most stores limit customers to 10
records at a time. I figure if another customer was that upset about
it, all they would have had to do was tell me....I would have let them
on the listening booth. Hell, it's easier to order online these days
anyway...I actually prefer it.
DH: Speaking of preferences, I heard that you prefer to dj with
Sean as the Floorfillerz. Do you feel that your energy is better with
the two of you?
DD: When I dj with Sean, as the Floorfillerz, we tend to switch off
every 3 records. It keeps us both interested and keeps the people on
the floor. Plus, it's a lot more fun with two people. Yes, I do think
that the energy is higher with both of us there, playing off each other,
wondering what we're gonna play next.
DH: Where was your favorite place to spin thus far, also, how
was your first trip to the UK?
DD: My favorite place to play so far has been Hong Kong. It was a great
event and the crowd seemed to be into it. Plus, as a city to visit,
I had a blast. The promoter was great, the food was wicked, and the
women....OHMYGOD! My second place I loved playing was Guadalajara, Mexico.
Mexico is a beautiful country, and the best food in the world. I am
half Mexican and have always loved going to visit. Ahhhh...my first
trip to the UK. I have been waiting for this for awhile now. Everyone
was so down to earth. The promoters seemed like people I had known for
years. The club was a blast. Manchester was an experience. Lots of fish
and chips, hot tea.....and the shopping was nice. I hope to go back
soon.
DH: As your popularity grows, do you ever think about leaving
Denver? What do you like/dislike about Denver?
DD: Wow! Don't get me started on Denver again. Let's just say that Denver
is a great place to live. The cost of living is reasonable, and I have
some great friends here. As a place for house music, it flat out sucks.
I have been thinking about moving back to California for the last 2-3
years now....I just can't seem to do it.
DH: Do you prefer clubs over parties? Why?
DD:Clubs for sure. You know that the venue is secure, and you will get
paid. Parties are just not what they used to be....and that's cool.
I have some good memories. I do miss a sweaty ass warehouse, a red beacon,
and a HUGE soundsystem :)
DH: I read that you're epileptic, so do flashing club lights
seriously affect you?
DD: So far I have not had any real problems due to the lights. I have
riders stated in my contract about direct lights in my eyes. I will
admit to seeing colors that I know should not be there when I am in
direct flashing lights...probably not a good thing! I just make sure
to tell anyone "if you see me shaking on the floor, it's time to
call the paramedics!"
DH: Do you have a favorite funny or embarrassing moment that
happened while you were on tour?
DD: Embarassing was taking the wrong needle of the wrong record. It's
strange when they all look at you when the music suddenly stops. Then
you realize "shit, that needle was the one that was playing live,
not the one in my headphones." So you just start it from the beginning
and go from there! I think I have done that 2 or 3 times now...I know
there are more, I just can't think of any.
DH: You seem to be one of the hardest working people in the
business. Do you ever take a weekend off?
DD: I have a lot of spare time in the daytime. I try to get outside,
work out, and hang with friends. I don't start working on music until
the evening. I do have some weekends off, and it is nice :)
DH: What else, besides records, do you carry in your record
bag? What do you carry with you at all times?
DD: Records and headphones. I carry my cell phone with me everywhere
these days. If I leave it at home I tend to freak out a bit!
DH: I read that you don't have any outside activities other
than music.....do you now?
DD: I know I need to get a hobby. Having the studio in the loft where
I live is not helping...Music is constantly being made either by me
or my roommate, Sean. It's kinda driving me nuts!
DH: I know you don't have a hobby, but do you have a favorite
book?
DD: Another tough question....I just bought a book, the first book I
have bought in about 7 years. I have a hard time getting into books.
I think my mind wanders too much, next thing you know I am getting all
these ideas for music, then I put the book down, and what do you know,
I'm starting on a new track...see question above...
DH: Shifting gears again....What djs/producers do you think are really
talented?
DD: I think Ritchie Hawtin is a talented person. His music is unlike
anything else out there. And he can dj like no other. Green Velvet...now
that guy is OUT THERE, but he has some serious talent as well, as a
dj and a performer. You can always tell when you here a Green Velvet/Cajmere
record. I also think that Sebastian Leger is a talented producer as
well; what he does with disco loops is amazing.
DH: Which new talented artist should we be watching out for?
DD: While I was over in Manchester this past May, I got to hear Yousef
for the first time. I have read about him in the UK magazines, and all
I have to say is GO SEE HIM PLAY! I thought he was the SHIT! 3 turntables,
2 cd players. Just cutting it all up and mixing seamlessly. Straight
up house! It takes a lot to impress me...and he did it for sure.
DH: And now for a slightly controversial question....What do
you think of music file sharing? Do you really think that it's hurting
the dance music industry, especially considering that a lot of dance
music is purchased on vinyl?
DD: YES!!! I am starting to realize that file sharing is killing the
music industry. I do play a lot of cds these days. Most are from MP3s
the artists themselves have sent me via AOL, MSN, ICQ, etc...but as
soon as it's released on vinyl I go out and buy it...not every time,
but for the most part. I have EVERY track I have ever made on my web
site as an MP3, I have come to the decision to take them all down. I
am only gonna have 1-2 minute samples in low quality these days.
DH: What would you be doing if you weren't a dj/producer?
DD:To be honest, I have been thinking about that a lot these days. The
decline in sales in the music industry is starting to freak me out a
bit. I think that going to school might be a reality soon.
For more information on DJ Vitamin D check out the following web sites:
djvitamind.com
thefloorfillerz.com
colorecordings.com
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